Las óleos de todo Carlo Dolci
ID Image  Painting (From A to Z)       Details 
26859  
Carlo Dolci, Carlo dolci
  		 Carlo dolci   mk52 1674 Oil on canvas 74.5x60.5cm Uffizi.Florence
96808  
Carlo Dolci, Madona
  		 Madona   17th century Medium oil on canvas Dimensions 74.5 X 62.5 cm cyf
96914  
Carlo Dolci, Mater dolorosa
  		 Mater dolorosa   17th century Medium oil on canvas Dimensions 51 X 39.5 cm cyf
28967  
Carlo Dolci, Portrait of Ainolfo de'Bardi
  		 Portrait of Ainolfo de'Bardi   mk65 Oil on canvas 58 7/8x46 7/8in Uffizi
28966  
Carlo Dolci, Portrait of Stefano Della Bella
  		 Portrait of Stefano Della Bella   mk65 Oil on canvas 23 3/16x18 7/8in Pitti,
81097  
Carlo Dolci, Ritratto di Stefano Della Bella
  		 Ritratto di Stefano Della Bella   o/tv, 59 x 48 cm, Galleria Palatina, Palazzo Pitti, Firenze Date 1631 cyf
77822  
Carlo Dolci, Ritratto di Stefano Della Bella,
  		 Ritratto di Stefano Della Bella,   Ritratto di Stefano Della Bella, o/tv, 59 x 48 cm, Galleria Palatina, Palazzo Pitti, Firenze cjr
28965  
Carlo Dolci, St.Andrew before the Cross
  		 St.Andrew before the Cross   mk65 Oil on canvas 48x22 1/4in Pitti,Palatine Gallery
29210  
Carlo Dolci, St.Cecilia
  		 St.Cecilia   mk65 ca.1670 Oil on canvas 49 1/2x39"
Carlo Dolci
Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months,



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